Flower Power NYC

Engoli of second, and the third time as form to gain courage and to surpass my fear to be to the side of a great woman and pretty woman. While I was in mine I sing to comediar and to swallow my saliva the Alfredo already was to kiss the friend of the Kiss-flower. They know, I nor I asked the name to it, I was only frozen, but frozen exactly and encostadinho in that one well house murro of my parents. It with its traps and volpia to place obtained me in the wave of the pleasure, in the wave of the will to invade those seios that verwhelmed me the will to be alone at that moment. Before my only will was to run away from that place and leaves it na company of the mosquitos that invaded my zone.

Already he was determined not to come back to touch in no woman in the life. I made an oath with me exactly not to invade more. I did not obtain, I broke the rules of my proper conscience. It appeared me an idea brusquely to press those seios aggressively you longed for, to swallow saliva and to bite the language. I advanced already with much stubbornness. I started to hold me as child. Vocs knows very well, children burns the hand to try puts it knot fire without repentance, to put with much pleasure. Already it did not want to see who was to pass of the street.

Not even it had one known for close or not. I packed in the onslaught. We enter inside of the yard. Luck because my mother not was, you unite, nor if it was would not have obtained to erase the fire that on the inside and for is burnt me the skin and the heart. We arrive in varanda in a well hard and imparvel onslaught.

Interpretativa analysis of the poem ' ' Antfona' ' , of the simbolista poet Cruz and Souza. Cruz and Souza Antiphon white, white Forms, clear fog, snow, moonlight Forms! vacant, fluid, crystalline Forms Incenses of the turbulos of them you plough Forms of the Love, constelarmante pure, Of Virgins and vaporous Saints Nomadic brightness, mdidas frescuras and dolncias of irises and roses Indefinveis supreme musics, Harmonias of the Color and the Perfume Hours of the Ocaso, trembling, extreme, Rquiem of the Sun that the Pain of the Light summarizes Calm Vises, salmos and cnticos, Surdinas of flbeis, soluantes agencies Dormncias of volpicos Subtle and soft poisons, mrbidos, radiating Infinite dispersed espritos, Inefveis, ednicos, aerial, Fecundai the Mystery of these verses With the ideal flame of all the mysteries. Of the Dream the bluest diafaneidades That fuljam, that in the Estrofe if raise and the emotions, all the chastities Of the soul of the Verse, for verses sing. That the pollen of gold of the finest astros Fecunde and inflames rhymes it clear and burning hot That the correction of the alabastros shines Sonorously, luminously. Original forces, essence, favour Of woman meats, delicacies All this effluvium that for waves passes Of Ether in the rseas and golden rapidses Diluted crystals of flashes alacres, Desires, Tawny vibrations, anxieties, alentos victories, triunfamentos acres, the most strange estremecimentos Black flowers of the tdio and vacant flowers Of vain, tantlicos, unhealthy loves Deep old vermelhides of chagas In blood, opened, draining in rivers Everything! living creature and hot and strong sinewy and, In the chimerical eddies of the Dream, Pass, singing, before the direful profile and the cabalstico bustle of the Death Before initiating the interpretativa analysis of the poem ' ' Antfona' ' , from Cruz and Souza, we will briefly return on the period from the Symbolism, having beginning in the end of century XIX.

To ITS SEARCH Walking at random I teimava in glimpsing a tenuous silhouette that was there. He was yes, could sight it. The anxiety to reach made it me to continue without stopping, even so already advanced resfolegante, to the side of the exhaustion. The Sun, with its esmaecida light, already forbears in ocaso. a fast breeze and passenger is the only blow of hope.

In return an infinitely voluminous silence. The trpegos steps indicate the direction, but the uncertainty of the trajectory if guides for the compassing of the uneasy anxiety. The objective is not clearly, the anxiety only indicates that it is for there; but inexorably great if it became the necessity to continue. The conscience tries to feed the hope before, alquebrado, the body if prostre exangue. The clouds had disappeared; the shades alone also exist in the barren landscape of the almost fainted feelings already. Homesicknesses of one morning rainy; desire to feel the heat of the matinal Sun, to see the insects settling in the flowers still orvalhadas. I do not have the courage of looking at stops backwards.

I know that I purify myself to each stretch of the way; imundcies if unfastens of my luggage and goes being half-embedded in the ground arenaceous and barren that, indifferent, registers my footprints. The suffering selects The solitude stimulates the search The fidget sustm the walked one. Fauna and flora had disappeared. It would be Spring? It would have flowers. It would be Winter? It would feel cold. It would be Autumn? It would harvest fruits. To the front more sand to step on. In the desert flowers are not cultivated The adventures irrequietas of the past now format the chaos that if it figures colossal, as rubbles of me exactly to become vacant. The pride if pulls down; the dither if demoralizes. Resqucios of hurts apodrecem; signals of repentance in the silt of the incompreenso sprout.

This its concern with the social o made to move away from the brothers Fields, Dcio Pignatari and the Concretismo? movement that followed the publication of Corporal Fight after? to come close itself to the CPC. Gullar thought to be popular the aesthetic Concretismo, the little imprisoned one to a erudio and that politician did not harmonize itself with its feeling concerning the moment for which the country passed. In 1975, it launches Inside of the Quick Night, where we find ' ' Brasileiro' poem; ' where it transforms a statistics, that, as any another periodical notice, it would wrap up the fish of the following day, in poetry; one more time it rectifies that its poetry is born of astonishment it illuminates ' ' obscuro' ' state of the Piau. It transforms the daily one and what, for many, he would be current, in literature. The last verses of the poem ' ' before completing 8 years of idade' ' if they repeat as one ladainha infernal in the ears of that they leem and they listen to the poem; its repetition seems to want to echo to the four cantos of Brazil so that those that sweeten its coffee without if worrying in knowing of the provenincia of the sugar if acquire knowledge of that it has life human being if extinguishing as the flowers of the beach of Botafogo. is this knot in the throat of the poet who makes it ' ' vomitar' ' ' ' poem sujo' '. The book is conceived at a moment where the poet lives a turbulent moment of its life and its country and where, conscientiously, the poet plays light to illuminate what he is ' ' disturbance disturbance/muddy/the hand of the blow/against the wall/escuro' ' inside and outside of itself; the poem is subjective and objective simultaneously, it is paradoxical as the moment where it came the fire.