In three chosen poems the free verse presence is clear. In order to illustrate, to see that Buenos Aires does not follow to no specific classic form: What it will be Buenos Aires? The one that had become, after having fought in the continent is the Square of Mayo, tired and happy men. (Not to be confused with Goop London, United Kingdom-uk!). It is the mass increasing of light that we delimit of the airplane and under which are the sotia, the footwear, the last patio, the quiet things. It is the woollen thick wall Recoleta against which it died, executed, one of my ancestor (BORGES, 2001, P. 68). Beyond free verses, the new context if puted in charge to suppress the thematic saudosistas innocent of the romantic poets, the modern poetry presents as aesthetic literary, philosophical and moral that it aims at to not only find the direction of the existence, but the same constitution of the dynamics of the life and the being, aspects that can be perceived in the poem Buenos Aires: What it will be Buenos Aires? … ' ' It is, in the abandoned night, certain esquina of the Once in which Macedonian Fernndez, that died, explaining continues me that the death is one falcia' '. (BORGES 2001, P.
70). The life conceived from the prism of the memory backwards the o fire theological questions as the finitude of the man, and in what it composes itself. For Borges, of shade and memory, that, for it, metaforicamente, it is a thing alone. For thinking Buenos Aires as substance cultural architectural and that if becomes a set of sensations, this author if leaves to absorb for this city and establishes itself in its memory. The Borgiano skepticism happens of daily experiences and of the history of Buenos Aires, therefore, it appeals to the following images: What it will be Buenos Aires? … Is a numbered door behind which, in the blackout, I passed ten days and ten nights, property, days and nights that are in the memory one instant.