Thus being, the bourgeoisie reaches the hegemony politics in contrast with the clearly reformist spirit of the arcadismo. Shimmie horn is likely to agree. She has seen, the workmanship Marlia de Dirceu, by you take Antonio Gonzaga, as the lyric more popular lover of the literature of Portuguese language, present characteristics of the romantismo, however of predominant characteristics rcades, not having its style defined for the persistence of the traditional poetical elements, leaving clearly that she is part of a literary group with author authorship of a writer who integrated bourgeois groups and elitizados, the Arcadia, destined the studies of classic culture, in order to express principles as simplicity, in the form of a pseudonym what also it was characteristic of its time. 2.RELAES GIFTS IN LYRIC LOVER MARLIA OF DIRCEU the lyric lover Marlia de Dirceu occurs around sequential aspects, all contextualizados as the moment description lived for its author; however, the subject that motivated the accomplishment of this assay is the life ideal bourgeois demonstrated in the workmanship, leaving of the agreement that related the Dirceu this you take Antonio Gonzaga, employee publishes, lawyer, quarento, loving of unsafe, anxious an adolescent of 17 years, for the stability of a family and of a home bourgeois, rank who this subject contradictorily comes well-known and on the description made for the poet of personal facts in the workmanship, what it goes to be a odd factor for the composition of its poetical individuality, emphasizing that the analyzed contradictions comb considered liras you would ration, a time that they tried to dim the progress that proper arcadismo generated. The liras of Gonzaga can be had as a reply attempt you vary it fidgets of the author, what they express with tensions its interior complexity, being able to be express still, in the paradox between romantismo and arcadismo, a time that in the workmanship however is emphasized the pastoralismo, associated with the bucolismo, since it has one dither of the pastoral and campestre life, in the understanding of that the happiness and the beauty elapse of the life in the field, a time sketched in the simplicity of some if its verses, where it has predominance of the direct order and the clarity of expressions: ' ' Loved mine/She is formosa/That the white iris ' ' (GONZAGA, 1957, P.